LUMIX S Full Frame Mirrorless Camera
Suggested Retail Price HK$35,900
Body Only
Feature
Industry-first fan structure*3 unlimited video rec time
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm when S-R24105 is used.]
*2 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting
*3 As a Full-frame Digital Single Lens Mirrorless Camera, as of August 27th, 2019
*4 Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water
Download Bundled Software:
1. LUMIX Tether
The LUMIX S1H is a full-frame mirrorless camera for film production, scaled to a hand-held design without compromising professional-level standards. It offers extensive recording modes and cinematic image quality to meet the high demands of today's creators. With superior functionality that slots effortlessly into the professional workflow, the S1H is also designed for active filming in the field when attached to a gimbal or drone.
The LUMIX S1H gives you breathtaking image quality without compromise. By delivering ample light condensation per pixel, the 24.2-megapixel CMOS sensor offers a wide dynamic range and sharp, natural expression even at high sensitivity settings. The S1H also equipped with Dual Native ISO sensitivity which offers the advantages of very high sensitivity for low-light shoots while suppressing noise levels. As such, the camera can switch from a standard sensitivity to this higher sensitivity with almost no discernible noise degradation. With 640 and 4000 base ISOs in V-Log, the S1H allows today's cinematographers phenomenal flexibility on set when they wish to capture more extreme lighting scenarios.
The LUMIX S1H newly offers full-area 3:2 6K24p, C4K (4,096 x 2,160) and anamorphic modes. It the first time in the world, achieves video recording at 6K/24p and 5.9K/30p (3:2 or 16:9 aspect ratios respectively).* The various formats above can be encoded with superior HEVC compression or the rich tones of 4:2:2 10-bit. High quality data up to 4:2:2 10-bit can also be output via HDMI ontoan external video recorder when set to 10-bit recording mode. The HDMI output is enabled simultaneously with the internal recording. And as the filtering menu has been streamlined, it is now much easier and faster to find and select the precise mode you want.
* For a full-frame digital interchangeable lens system camera, as of August 27th, 2019. Panasonic research.The S1H features V-Log / V-Gamut with a wider 14+ stops of dynamic range. This is compatible with the Cinema VariCam Look and precisely captures everything from shadows to highlights, as well as faithfully reproducing the color and texture subtleties of human skin. The V-Log View Assist enables you to view a simulation of the final look (hue, saturation and brightness) of your video image in camera using the Look Up Table (LUT) while you are shooting. With Look Up Table (LUT) installed on the camera, the video you record with V-Log can be modified to match the characteristics of your monitor display. The VariCam IDT for ACES can also be applied to footage shot on the S1H. 35 conversion LUTs and ar tistic looks for VariCam® cinema cameras and the AU-EVA1 can be downloaded from Panasonic's official web site.
If you are shooting with an anamorphic lens that compresses the image width to an almost unrecognizable extreme, the S1H camera allows you to view a simulation of the final ‘desqueezed’ CinemaScope format (2.39:1 or 2.35:1), in one of five magnification options, 1.3x, 1.33x, 1.5x, 1.8x or 2.0x, stretched out on the camera monitor. This lets you decide the composition you want, and better visualize the impact of the final project.
The S1H has unlimited video recording capabilit y for all recording modes within the recommended operating temperatures, (-10° C to 40° C). To dissipate the heat generated by recording non-stop, a highly-effective and independently operating fan is now included within the body. The film-maker can now concentrate on capturing every minute of the scene without the worry that recording may stop suddenly. The fan is designed for minimal vibration and low noise, operating in four modes to suit the type of shoot and shooting environment.
* For a full-frame digital interchangeable lens system camera, as of August 27th, 2019.The S1H features powerful camera-shake suppression in the body. The 5-axis Body I.S. enables an accurate level of correction, even making it possible to use a 6.0-stop slower shutter speed.* Shake suppression is also highly effective even when a cine lens, anamorphic lens, or older lens is attached. Furthermore, 6.5-stop slower shutter speed** can be used thanks to 5-axis Dual I.S.2 stabilization when the Body I.S. is combined with the Optical I.S. of the LUMIX S series lenses. This compensates for even larger movements that were conventionally uncontrollable.
* Based on the CIPA standard (Yaw/Pitch direction: focusing distance f=50mm when S-X50 is used.)This rear-mounted monitor is a touch-sensitive LCD with a superbly bright 2.33-million-dot high resolution that is still clearly visible in sunny outdoor conditions. The combination of a tilting and swivel mechanism makes unusual compositions and creative angle shots easy to frame. This also avoids the monitor becoming entangled in any connected HDMI or USB cables.
The double memory card slot is compatible with SD Memory Cards (UHS-II / V90). Allocation Record mode allows you to specify the card slot to be used for recording different image formats. The extra card slot is also convenient for recording long videos or as a backup. Relay Recording mode relays recording to the other card slot after the first card runs out of free space during recording. Backup Recording mode* records the same data to the two cards.
* Cannot be used with AVCHD format.The Live View Finder baosts the world's highest 5,760k-dots resolution.* Adoption of a high-speed, high precision OLED for the LVF achieves smooth display at 60fps/120fps and high-speed response with minimum time lag of less than 0.005 sec.
*As a Full-frame Digital Single Lens Mirrorless Camera, as of February 1, 2019.To be tough enough to withstand heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Robust construction and a sealing for every joint, dial, and button make the LUMIX S1R/S1 not only dust resistant and splash resistant but also operates down to -10 degrees Centigrade.* The shutter unit is also durable for approximately 400,000 cycles.
* Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.Panasonic, Leica Camera and Sigma are set to offer a user-friendly solution that will allow photographer to "mix and match" any of the three manufactures' APS-C and full-frame camera with any lens from each other's product portfolios.The L-Mount thereby opens up an almost limitless spectrum of new creative possibilities.
* The L-Mount Logo mark is a trademark or registered trademark of Leica Camera AG.LUMIX S PRO 24-70mm F2.8
HK$22,900LUMIX S PRO 50mm F1.4
HK$17,900LUMIX S PRO 70-200mm F4 O.I.S.
HK$13,900DSC Accessories
HK$690Battery Grip
HK$2,690DSC Accessories
HK$890DSC Accessories
HK$590Eyecup for S series camera
HK$250DC Coupler for S series camera
HK$390DSC Accessories
HK$720LUMIX S Full Frame Mirrorless Camera | |
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Digital Camera | |
General Specifications | |
Mount | L mount |
Camera Effective Pixels | 24.20 megapixels |
Image Sensor | 35mm full-frame (35.6mm x 23.8mm) CMOS sensor |
Image stabilization | Image sensor shift type (5-axis / 6-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm when S-X50 is used.] Dual I.S.2 (6.5-stop* Dual I.S. 2 compatible) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm when S-R24105 is used.] |
Focus mode | AFS (Single) / AFC (Continuous) / MF |
AF mode | Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3 (Full area touch is available) (Scalable AF frame size and flexible AF position) |
Metering mode | Multiple / Center Weighted / Spot / Highlight Weighted |
ISO Sensitivity | Auto / 50* / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO |
Exposure mode | Program AE, Aperture Priority AE, Shutter Priority AE, Manual |
Exposure Compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
Shutter Speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60 Motion picture: 1/16,000 - 1/25 Creative Video M mode / MF mode: 1/16,000 - 1/2 |
Recording Image Size (Max Pixels) | [4:3] 10656x8000 [3:2] 12000x8000 [16:9] 12000x6736 [1:1] 8000x8000 |
Recording file format | Photo: 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch)) 4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) Extracted still images: JPEG (DCF, Exif 2.31) Video: MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately). MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch)) AVCHD Progressive, AVCHD (Audio format: Dolby Audio (2ch)) |
Image Quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard |
Creative Control Mode | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* *For photos only. |
Scene Mode | Standard / Vivid / Natural / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Standard (HLG) / Monochrome (HLG) / Like2100 / My Photo Style 1-10 |
Burst speed | Mechanical shutter / Electronic front curtain shutter: AFS/MF: H: 9 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFC: H: 6 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) Electronic shutter: AFS/MF: H: 9 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) 6K PHOTO: 30 frames/sec 4K PHOTO: 60 frames/sec, 30 frames/sec |
Viewfinder | OLED Live View Finder (Approx. 5,760k dots) |
LCD Monitor | 3.2" Tilt free-angle TFT LCD monitor with static touch control (approx 2330K dots) |
Battery life (approx.) | Approx. 400 images (rear monitor), 380 images (LVF), 1,150 images (Power Save LVF mode*) with S-R24105 *Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
Memory | Slot 1: SD Memory Card Slot 2: SD Memory Card *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. |
Dimensions (approx.) (W x H x D) | Approx. 151.0 x 114.2 x 110.4 mm (excluding protrusions) |
Weight (Body only) Approx. | Approx. 1,052g |
Weight (includes SD Card and Battery) Approx. | Approx. 1,164g (XQD Memory Card x 1, Battery, Body) Approx. 1,017g (SD Memory Card x 1, Battery, Body) |
Standard Accessories | Body Cap, Hot Shoe Cover, Eye Cup, Flash Synchro Socket Cap, Cover for the Battery Grip Connector, Shoulder Strap, Battery Pack, Battery Charger, AC Adaptor, AC Mains Lead, USB Connection Cable (C-C), USB Connection Cable (A-C), BNC Converter Cable, Cable Holder |
External microphone terminal | φ3.5mm for external microphone / external audio device |
Internal Mic | Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately). |
Flash | |
Flash | Flash Mode: Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
Synchronization | Less than 1/320 second *Only when set to M mode or S |
External microphone terminal | φ3.5mm for external microphone |
Movie format | |
Movie format | MP4: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch)), MP4 HEVC: H.265/HEVC (Audio format: AAC (2ch)) AVCHD Progressive (Audio format: Dolby Audio (2ch)), AVCHD (Audio format: Dolby Audio (2ch)) |
High Speed Video | [4K] 3840x2160: 29.97p (Sensor output is 60fps) 23.98p (Sensor output is 48fps) [FHD] 1920x1080: 29.97p (Sensor output is 180fps / 150fps) |
Mov (16:9) | 59.94Hz Full-frame [6K] 5952x3968 (3:2): 23.98p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. Full-frame [C4K] 4096x2160: 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. Full-frame [4K] 3840x2160: 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. Full-frame [FHD] 1920x1080: 119.88p, 150Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 59.94i, 100Mbps (4:2:2 10-bit ALL-Intra)* / 50Mbps (4:2:2 10-bit LongGOP)* (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 47.95p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, High-Res Audio) *HLG is selectable. 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) *HLG is selectable. |
AVCHD Progressive (16:9) | [FHD] 1920x1080: 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) 50.00i, 24Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) (Sensor output is 25.00fps) 50.00i, 17Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) (Sensor output is 50.00fps) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) |
MPEG 4 | 59.94Hz Full-frame [4K] 3840x2160: 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) Full-frame [FHD] 1920x1080: 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) Super 35mm / Pixel by Pixel [4K] 3840x2160: 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) Super 35mm / Pixel by Pixel: 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
AVCHD (16:9) | 59.94Hz Full-frame / Super 35mm / Pixel by Pixel [FHD] 1920x1080: 59.94p (Sensor output is 59.94fps), 28Mbps (4:2:0 8-bit LongGOP) (Dolby) 59.94i (Sensor output is 59.94fps), 17Mbps (4:2:0 8-bit LongGOP) (Dolby) 59.94i (Sensor output is 29.97fps), 24Mbps (4:2:0 8-bit LongGOP) (Dolby) 23.98p (Sensor output is 23.98fps), 24Mbps (4:2:0 8-bit LongGOP) (Dolby) |
Phone Specification | |
Processor | Venus Engine |
Wi-fi | Yes |
Bluebooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) |